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The 7 Funniest Movies You've (Probably) Never Seen

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Long before he was cranking out reliable Oscar-season fare like "Silver Linings Playbook," David O. Russell was a struggling indie writer-director with one squirmy comedy about incest ("Spanking the Monkey") under his belt.

Then, 20 years ago this week, on March 22, 1996, he released the comedy "Flirting With Disaster," starring Ben Stiller, and... crickets. (It would be another three years before "Three Kings" scored Russell his first mainstream hit.)

It's too bad, since "Flirting" is a very funny film, marked by the breakneck pacing that Russell's fans have come to appreciate. But let's face it, not all comedies find their audience right away, and not all worthy comedies even become cult favorites later. Here are seven outrageously funny films worthy of rediscovery now.

All of Shonda Rhimes's Shondaland Shows, Ranked

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"How To Get Away With Murder" may be over for the season, but Shonda Rhimes isn't about to give up her claim on your Thursday nights. The producer's latest offering, "The Catch," joins ABC's all-Shondaland "TGIT" line-up.

Like other Shondaland shows, "Catch" -- which stars Mireille Enos ("The Killing") as a detective hunting down the one man who ever conned her, fiancé Peter Krause ("Parenthood") -- looks like it'll be a drama full of jaw-dropping plot twists and led by a strong heroine. So far, that formula has worked well for Rhimes, with a couple of notable exceptions.

Here's how we'd rank the Shondaland slate so far.

'Hannah Montana' Cast: Where Are They Now?

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Hard to believe, but the most famous member of the Cyrus family used to be papa Billy Ray. That all changed 10 years ago, on March 24, 2006, with the debut of Disney's "Hannah Montana," which unleashed daughter Miley upon the world.

Like her TV character on the 2006-11 series, Miley Cyrus was both a regular teenager and a flamboyant pop star chafing against her own squeaky-clean image. We've all seen how that tension has played out for Cyrus over the past decade, but what of the rest of Team Hannah? Here's what's become of the show's cast in the years since Cyrus took a wrecking ball to her Disney persona.
HANNAH MONTANA - Moises Arias as "Rico," Jason Earles as "Jackson Stewart," Billy Ray Cyrus as "Robbie Stewart," Miley Cyrus as "Hannah Montana," Mitchel Musso as "Oliver Oken" and Emily Osment as "Lilly Truscott" on "Hannah Montana" on the Disney Channel. (DISNEY CHANNEL/BOB D'AMICO)

25 Greatest Horror Movie Heroines Ever, Ranked

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Why is the horror audience mostly female? One reason has to be the genre's long tradition of heroines, scream queens, or final girls.

They're the last ones left standing in the movie's final act, taking on the killer or monster while -- armed with little more than pluck and righteous anger (and the occasional sharp object). Then again, who doesn't enjoy watching a horror movie lead character overcome their fear and act like a badass? While not all horror movie heroines face-off with the Big Bad by the end of the film, they do suffer through all the jump-scares with us. It's a miracle we they come out alive.

Here are 25 of the best horror movie heroines who conquered demons -- both internal and external -- before conquering the multiplex.

How 'Batman v Superman' Beat the Haters and Became a Box Office Juggernaut

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batman v superman box officeHave you seen some of the scathing reviews that "Batman v Superman: Dawn of Justice" has received? Forget Lex Luthor and Doomsday; this week it seemed like the biggest threats to the DC superheroes were the critics, who hurled pans that could have thwarted not just Bruce Wayne and Clark Kent but Warner Bros.' vast DC Extended Universe franchise plans for the next decade.

Didn't happen, of course. The fanboys -- and everyone else -- went anyway, helping "BvS" launch the franchise with an estimated $170.1 million, exceeding predictions by about $20 million and smashing numerous records in the process. It's the biggest March opening ever, the biggest opening for a Batman or Superman movie, and the biggest opening ever for Warner Bros. With its dismal 29 percent score at Rotten Tomatoes, it's also the worst-reviewed movie ever to earn more than $150 million during its first weekend.

So the universe is safe, and so is Warners' investment in the future, starting with the $250 million invested in just this film's production. Still, how did the studio manage to overcome the Kryptonite-like reviews, not to mention decades' worth of justifiable fanboy apprehension over Warners' often botched efforts to create its own Marvel-like big-screen mega-franchise? Here are six secret weapons "BvS" had up its spandex sleeves.

1. Wonder Womanwonder womanShe may not have a huge part in the film, but DC fans have been waiting 75 years to see her on the big screen. According to a survey by ticket pre-seller Fandango, Gal Gadot's Amazon warrior princess was the single biggest draw, cited by 88 percent of respondents. Of course, Gadot has her own fanbase from the "Fast & Furious" franchise, and everyone knows she's getting her own "Wonder Woman" movie next year. So many viewers were willing to sit through 2 1/2 hours of "BvS" just for a few glimpses of Wonder Woman holding her own with the top-billed heroes.

2. Everyone Else Who Isn't Batman or Supermanlex luther and lois laneAccording to the same survey, 60 percent of those polled were fans of Jesse Eisenberg who were eager to see the "Social Network" star's take on villainous mogul Lex Luthor. And 66 percent were fans of director Zack Snyder, whose previous DC comic book films include "Watchmen" and "Man of Steel." Not that people didn't also want to see Ben Affleck's version of Batman or see "Man of Steel" star Henry Cavill don the red Super-cape again. Still, there were lots of other draws, including even the auteur behind the camera. Speaking of whom...

3. 3D and IMAXsupermanLove him or hate him (and there are many in both camps), Snyder deserves credit as a creator of eye-popping visuals that really do look like frames from a comic book brought to life. His movies are among the few that do benefit from being seen in enhanced format. It's no wonder that a full 40 percent of this weekend's "BvS" grosses came from 3D screenings, and a healthy 10.6 percent came from IMAX showings. Those ticket surcharges helped the supercharged opening.

4. TimingDiana Prince / Wonder WomanIt's late March, so there's really nothing out there, not even "Deadpool" or "Zootopia," that offered a real obstacle to the "BvS" steamroller. The only other wide-release movie this week was the romantic comedy "My Big Fat Greek Wedding 2," which actually did better than expected with it estimated $18.1 million premiere. Of course, it's audience was 76 percent female, while "BvS" viewers were mostly guys (62 percent). So it's not like Warner Bros. had to worry about Universal's rom-com stealing much of its action audience.

5. The DC Universebatman v supermanAs Marvel fans know, it's sometimes hard to follow all the action in the Marvel Cinematic Universe movies if you haven't been paying attention since the beginning. DC fans know that, if they want to keep up with the DC movies that will spring from this one -- there are at least 10 of them on the drawing board set for release over the next five years, including this summer's "Suicide Squad," next year's "Wonder Woman" and "Justice League," and several others -- they had to get in on the ground floor with "BvS." Indeed the new movie contains not just a Wonder Woman guest spot but teasers and Easter eggs for heroes, villains, and plot developments that may not come to fruition for several years.

6. FOMOben affleck as batmanBut even if you're not interested in coming up with your own fan theories or spotting references that may not pay off until, say, the release of the "Cyborg" movie in 2020, you still wanted to see "Batman v Superman" just out of Fear of Missing Out. Thanks to months (years?) of hype, it's become part of the national conversation. (International, even, since the film has grossed an estimated $254 million abroad.) The terrible reviews have only added to that conversation. It can't really be as bad as they say, can it? You went out of curiosity, or because you assumed the critics were just being pointy-headed elitists, or because, even if you thought they might be right, you still had to share the experience. (In fact, the film earned a blah B at CinemaScore, suggesting that word-of-mouth among viewers isn't much more enthusiastic than the reviews.) It's a conversation that's not going to die down any time soon, especially because of the film's controversial ending that's sure to divide even die-hard DC Comics readers who might have seen it coming.

Or maybe you've just wondered since you were a kid who would win if your two favorite DC heroes fought each other. If so, then the premise of "Batman v Superman" is nearly impossible to resist.

'Spy Kids' Cast: Where Are They Now?

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Want to make a millennial feel old? Tell 'em it's been 15 years since the release of "Spy Kids" (on March 30, 2001).

Robert Rodriguez's kiddie action/sci-fi film about a family of secret agents, whose two pre-teen children must rescue their parents, was a huge smash, the launching pad of a franchise that included three sequels, and a touchstone of children's entertainment back when.

Now that the kids from the movie are old enough to be spy parents, you may wonder what became of the actors who played Carmen and Juni and their allies and enemies. Thanks to Moviefone, that information is no longer classified.

'That '70s Show' Cast: Where Are They Now?

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Time to feel nostalgic about nostalgia. It's been 10 years since the end of "That '70s Show," or 36 years since the end of the actual 1970s. At any rate, it's been a long time since the teens of Point Place, Wisconsin passed their last dutchie around in Eric Forman's parents' basement. By that time, the show had run eight seasons (making it the second longest-running live-action sitcom in Fox history) and had made stars out of its previously unknown young ensemble players.

A decade later, two members of the circle, Ashton Kutcher and Danny Masterson, are having a TV reunion, co-starring as brothers on Netflix's new comedy series "The Ranch" (debuting April 1). Kutcher, of course, has been one of the higher profile alumni since "That '70s Show" wrapped; Masterson, not so much. If you're wondering what he and some of the other stars have been up to since they mothballed their bellbottoms, here's the groovy scoop.

Is 'Batman v Superman' Box Office Kryptonite?

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Spare a moment's pity for Batman and Superman.

They may be two of the most beloved superheroes in superherodom, and their movie opened huge last week, launching the DC Extended Universe mega-franchise that will (hopefully) be Warner Bros.' golden spigot for at least the next five years. But all anyone can talk about this weekend is the steep second-weekend drop for "Batman v Superman: Dawn of Justice."

Sure, "BvS" stayed in the top spot for its second straight weekend, earning $51.8 million. But that figure represents a huge plunge of 69 percent from last weekend's debut. It's the fifth largest second-weekend drop ever for a blockbuster that enjoyed a debut above $100 million.

What does that plunge mean? Did moviegoer sentiment catch up to the critics, who made "BvS" one of the worst-reviewed blockbusters in recent memory? Is the $250 million movie going to lose money for the studio? Are the rest of Warners' DCEU plans in trouble?

It's amusing to see all the schadenfreude over the movie's second-week stumble, especially after all the gloating last week about how the initial "BvS" success would prove the final nail in the coffin of professional film criticism. The same people who were insisting last week that the fans were the only judges who mattered are now panicking that the fans seem to agree with the critics.

Nonetheless, there's a lot to unpack in this weekend's box office drop-off, so let's see if we can
answer all the burning questions.
Did the criticism matter after all?
Probably not, but it turns out that moviegoers weren't wild about "BvS" either. They gave it a B grade at CinemaScore, which indicates unenthusiastic word-of-mouth.

It was easy to dismiss the film's negative reviews as the whines of critics who don't like superhero movies. That seems unfair, however, since plenty of superhero movies, including Christopher Nolan's Batman trilogy, earned thumbs-up from critics. And plenty of blockbuster spectacles that raked in money despite critical pans really did turn out to be weak films that even fans found hard to defend. Hollywood may have figured out how to get crowds to line up for such films on opening weekend despite their misgivings -- largely through fear of missing out on the pop-cultural conversation at large, or merely fear that it'll be harder to keep up with the extended franchise without seeing the early installments. But even DC Comics fans seem to have acknowledged that "BvS" didn't meet all their expectations.

Whether the griping has come from critics or ticketbuyers, Warners seems to be taking it seriously. So seriously, in fact, that there was a report this week that the studio was embarking on expensive, last-minute reshoots for the next DCEU movie, this summer's "Suicide Squad." The studio apparently took to heart the complaints that "BvS" was too ponderous and grim, since the reshoots are supposedly going to add more lightness and humor to the August release.
Does the second-week drop mean the movie's a flop?
Not necessarily. Drops of 50 to 60 percent are common for superhero films. Fans who have the most invested emotionally tend to go on opening night, driving up the opening weekend numbers, so there's an inevitable fall the second weekend. The drop is more troublesome when you consider that the film faced no major competition in the marketplace from the other studios -- it had the weekend all to itself.

The "BvS" drop is steeper than most, but the movie has still earned $261.5 million in 10 days of release in North America and a total of $682.9 million worldwide. There's no reason to think the film won't eventually top $1 billion worldwide -- which it'll have to do for the studio to break even.Could there be another factor behind this weekend's precipitous plunge?
The most obvious is the NCAA Final Four games. It's not surprising that a film targeted largely toward guys might be hurt by viewers who'd rather watch college basketball players battle for a national title than watch spandex-clad heroes duke it out on the big screen. Indeed, the March Madness contests may also have kept people from going to see this weekend's two new wide releases, "God's Not Dead 2" and "Meet the Blacks," both of which performed below expectations.
So, what are the takeaways?
First, there's no point in panicking when a movie that's on track to gross more than $1 billion makes only $51.8 million its second weekend instead of $58 million. Second, if you do want to earn that extra few million, you're less likely to leave money on the table if you make a movie that critics and fans alike can recommend to others without reservation. And third, not even the Man of Steel can overcome March Madness brackets.


'All the President's Men': 10 Things You (Probably) Didn't Know About the Watergate Classic

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all the presidents men facts, robert redfordWhen "Spotlight" won Best Picture in February, many observers recalled the Academy Awards race of four decades ago, when Watergate saga "All the President's Men" was a top contender.

Both movies made heroes out of the dogged reporters who had uncovered earth-shaking scandals, and both films made the often tedious process of journalism into gripping drama without distorting it much. Indeed, until "Spotlight" came along, "All the President's Men" had been considered the best movie ever made about journalism throughout the 40 years since its release, on April 9, 1976.

Today, "All the President's Men" is remembered as one of the last landmark movies of Hollywood's 1970s renaissance, and a highlight in the careers of stars Robert Redford and Dustin Hoffman. To celebrate the film's 40th anniversary, here are ten things you probably didn't know about "ATPM."
1. Washington Post reporters Bob Woodward and Carl Bernstein were still busy investigating Watergate when Robert Redford first called them to ask about buying the movie rights to their story. The suspicious scribes dismissed the actor's call because they assumed they were being pranked by a staffer on Richard Nixon's Committee to Re-Elect the President (CREEP).

2. Eventually, Redford did buy the rights, hired Alan J. Pakula to direct, and hired William Goldman to write the screenplay. No one much liked Goldman's first draft, so Bernstein wrote his own screenplay with his then-girlfriend, fellow journalist Nora Ephron. That version was deemed even worse, and ultimately, it was a new Goldman rewrite that Pakula shot. Still, we have "All the President's Men" to thank for launching Ephron's career as a screenwriter and, ultimately, the director of such films as "Sleepless in Seattle" and "You've Got Mail." (Of course, she also chronicled her disastrous marriage to Bernstein in the novel and movie "Heartburn.")
3. Indeed, the producers went to extreme lengths to make the movie feel authentic. The Post wouldn't allow the production to film in its newsroom, which would have been disruptive, so the filmmakers spent $450,000 recreating the newsroom in a Hollywood soundstage. Art directors visited the real newsroom and took photos, measurements, and even a brick from the lobby. They replicated out-of-date DC phone books and bought desks from the same supplier the Post used. They even got Post reporters to send them boxes of their own trash, to make the fake newsroom look realistically messy.

4. Frank Wills, the security guard who discovered the Watergate break-in, plays himself in "All the President's Men."
5. The identity of Deep Throat, the key informant named after the then-popular porn movie, remained a secret known only to Woodward, Bernstein, and Post editor Ben Bradlee. (They kept the secret for 33 years, until former FBI deputy director W. Mark Felt outed himself in 2005.) Woodward did help the filmmakers cast Hal Holbrook (above), who bore some resemblance to Felt. Holbrook's performance became legendary, even though he appears in only three scenes. He also uttered the movie's most famous line, "Follow the money" -- a sentence that appears nowhere in Woodward and Bernstein's reporting and was apparently coined by screenwriter Goldman.

6. That famous overhead shot of Redford and Hoffman as two tiny figures poring over vast stacks of records at the Library of Congress lasts for 30 seconds and cost $90,000 to shoot.
7. The movie is so spare and documentary-like that David Shire's musical score doesn't kick in until about 28 minutes into the film.

8. "ATPM" cost $8.5 million to make. It earned back $70.6 million in North America, making it the third highest-grossing film of 1976.
9. The movie was nominated for eight Oscars, including Best Picture (which it lost to "Rocky"), Best Director, Best Editing, and Best Supporting Actress. It won for Best Sound, Best Art Direction, Best Adapted Screenplay (for Goldman), and Best Supporting Actor (for Jason Robards' performance as Bradlee, pictured).

10. "What I took away from watching the movie six years ago," Bernstein said in 2011, "was that most of the good work was done at night. I think, and there are certain exceptions, that you get the truth at night and lies during the day."

Box Office: 5 Reasons Why Melissa McCarthy Defeated the Dark Knight

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Forget Wonder Woman or "Zootopia's" Officer Judy Hopps. The most commanding female at the box office this weekend was Melissa McCarthy's hard-charging tycoon Michelle Darnell.

The battle this weekend was "Batman v Superman" vs. "The Boss," and while the superhero saga was widely expected to threepeat at No.1 on the box office chart, it ended up being a neck-and-neck race. On Sunday, it looked like "The Boss" would be the victor, claiming an estimated $23.5 million and edging out "BvS" by just $45,000.

For "Boss" to come out ahead of "BvS" and two new competitors ("Demolition" and "Hardcore Henry") is no small feat, especially considering how many obstacles it had to overcome. "The Boss" became the fifth McCarthy starring vehicle in a row to open above $21.5 million -- despite really bad reviews and a C+ CinemaScore. This weekend's results seem to show that, no matter what hurdles McCarthy has to leap, she's an indomitable, dependable, bankable box office hitmaker. Here are five challenges she had to face before "The Boss" earned its title:

1. Timing
Most of McCarthy's hits, including "The Heat" and "Spy," have been summer releases. Could a big, broad comedy like this one open well in April? Well, why not? Her "Identity Thief" debuted strongly during the wasteland of February. Seems like audiences are happy to see McCarthy at any time of year.

2. The R Rating
Because it keeps kids and young teens away, the R rating is considered much more commercially risky than the more common PG-13, which Hollywood believes hits the sweet spot between edgy enough for adults and too edgy for kids. Yet McCarthy's hits, going back to her initial breakout with "Bridesmaids," have all been R-rated. As with her earlier films, the R rating on "Boss" lets viewers know that McCarthy has been allowed to go hog wild, without having to restrain her bull-in-a-china-shop comedy style in order to placate the ratings board.

3. The Demographic
There's already a comedy out there that appeals to older women. In fact, "Boss" studio Universal released it just two weeks ago -- "My Big Fat Greek Wedding 2." Fortunately, there seems to be room for both movies in the marketplace. "Wedding 2" came in fourth this weekend with an estimated $6.4 million, good for a three-week total of $46.8 million. Of course, Nia Vardalos isn't the star that McCarthy is, and her PG-13 movie won't offend your grandma, while "Boss" certainly might. So the audience overlap is only so big.

4. The XX Factor
By now, it should be time for Hollywood to bury the perception that female-driven movies are risky bets.

McCarthy's fearlessness makes her appealing to both men and women, but women drove the success of this film, making up 67 percent of its customers. Oh, and look at the top four movies on this weekend chart. Besides "Boss," there's "Batman v Superman" (whose strongest draw may actually have been the long-awaited introduction of Gal Gadot's Wonder Woman), "Zootopia" (headlined by Ginnifer Goodwin's relentless rookie rabbit cop heroine), and Vardalos' "Wedding 2." Hey, Hollywood, still think women can't sell tickets?

5. The Competition
New entries this weekend proved to be non-starts. With its first-person-shooter-POV gimmick and its clever online marketing campaign aimed at gamers, "Hardcore Henry" had been expected to open between $8 and $12 million, but mixed reviews and weak word-of-mouth (it also earned a C+ at CinemaScore) led to a fifth place debut with just an estimated $5.1 million.

Similarly, Jake Gyllenhaal's "Demolition" had been tracking toward a $3 million debut, but it also garnered mixed reviews. As a result, it didn't even crack the top 10, opening instead at No. 15 with just an estimated $1.1 million.

And then there's "Batman v Superman." Despite its steep second-weekend drop last week, "BvS" has earned $296.7 million in just three weekends, or $700,000 more than Disney breakout hit "Zootopia" has earned in six. Its estimated $23.4 million gross in its third week is still better than most movies do in their first.

So should "The Boss" hold its slight lead over "BvS" when Monday's final tally comes out, McCarthy will win more than just bragging rights for the week, or for having dethroned Batman and Superman.

She will show that, all by herself, at any time of year, even in a poorly-reviewed movie, McCarthy still can rule the box office like a boss.

5 Things You Need to Know Before Seeing Disney's 'The Jungle Book'

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Disney's latest live-action update of one of its classic animated features is "The Jungle Book." But don't expect just a shiny CG update of the 1967 cartoon that turned Rudyard Kipling's fierce beasts into mostly adorable, toy-ready critters. For one thing, if you've seen the trailers, you know this new version features some impressive-looking animals, speaking with the voices of some impressive stars. For another thing, its director is Jon Favreau, who helped launch the Marvel Cinematic Universe with "Iron Man."

Favreau and Disney clearly wanted to make something more than just a retread of the studio's 1967 cartoon -- or Disney's 1994 live-action version. Judging by the 100% approval rating from critics on Rotten Tomatoes, they've pulled it off. Here are five things you need to know before entering the "Jungle."

1. Think 'Avatar,' Only Earthbound
The James Cameron epic is a movie Favreau has name-checked often in describing the exotic, immersive, 3D forest world he's tried to create here. From its setting to its jungle animals, Favreau's film is almost completely CGI -- except, of course, for Neel Sethi, the 12-year-old New York native who plays wild boy Mowgli.

Favreau and his effects team shot the whole film on stages in downtown Los Angeles, digitally added lush vegetation, and populated it with creatures based on the appearances and movements of real animals -- but given an artistic flourish by digital animators. Imagine the CGI tiger in "Life of Pi," except that he's moving his lips as Idris Elba's (above) menacing voice emerges from his mouth.

2. This Is No Cartoon
The generally-lighthearted 1967 cartoon wasn't especially faithful to the source material. Favreau has said his film delves deeper into the Kipling stories, which means the animals are more savage and the danger to Mowgli is greater. Elba's tiger Shere Khan is reportedly one of the scariest screen villains since -- well, Elba's warlord in "Beasts of No Nation." No wonder some critics are calling the film a kiddie "Revenant."

3. It's Not Just a Guy Thing
Favreau decided that the cartoon, populated almost exclusively by male characters, needed more feminine presences. So Kaa the Python got a sex change; she's voiced by Scarlett Johansson (pictured). Interestingly, in "Jungle Book: Origins," Andy Serkis' upcoming 2017 take on the same public-domain Kipling stories, which will also mix live-action actors and motion-capture animals, Kaa will be female as well, voiced by Cate Blanchett.

Favreau also beefed up the role of Raksha, the wolf mother who adopts Mowgli. She doesn't even speak in the cartoon, but here, she's voiced by no less a luminary than Lupita Nyong'o.

4. The Animals Are Zoologically Correct
Well, except for the whole talking thing. But at least Baloo (Bill Murray) is now more obviously a sloth bear, a mammal native to India, than the generic bear of the cartoon. Alas, there are no orangutans in India, so King Louie (Christopher Walken) is now a Gigantopithecus (pictured), an orangutan-like ape that is now extinct but which did once live in India.

5. Don't Worry, Your Favorite Songs Are Still Here
Darker tone aside, Favreau made sure to keep some of the cartoon's comic-relief moments, as is apparent by the casting of Murray and Walken. (The late Garry Shandling is here, too, as a nervous porcupine.)

Baloo does get to sing "Bare Necessities" and Louie still sings "I Wan'na Be Like You." Richard M. Sherman, who wrote that song's lyrics 50 years ago, has updated the words for the new film. And Kaa still delivers the hypnotic "Trust in Me" -- though, instead of Sterling Holloway's Winnie-the-Pooh bluster, the snake now purrs the words in Johansson's seductive, unsettling rasp.

"Jungle Book" hits theaters Friday.

'Bridget Jones's Diary': 10 Things You (Probably) Didn't Know About the Hit Comedy

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Hard to believe it's been 15 years since "Bridget Jones's Diary" surprised the world with blue soup, ugly Christmas sweaters, an unexpectedly funny Colin Firth, a shockingly nasty Hugh Grant, and a stunningly perfect English accent emerging from Texan Renée Zellweger.

Since the film adaptation of Helen Fielding's novel hit these shores on April 13, 2001, the awkward but lovable "singleton" heroine has been a worldwide favorite, spawning a 2004 sequel and a long-awaited third installment, "Bridget Jones's Baby," finally due for delivery this fall. To celebrate the film's 15th anniversary this week, here are some behind-the-scenes facts you need to know.
1. Helen Fielding's worldwide bestseller started out as a series of columns in Britain's Independent newspaper that loosely fictionalized the romantic misadventures of Fielding and her thirtysomething pals. Fielding acknowledged that she lifted her storyline from "Pride and Prejudice." "Jane Austen's plots are very good and have been market researched over a number of centuries so I decided simply to steal one of them," Fielding joked. "I thought she wouldn't mind, and anyway, she's dead."

2. Director Sharon Maguire got the job in part because she was one of Fielding's close friends; in fact, the character of Shazza (played by Sally Phillips) was based on Maguire.

3. It took producers two years to find the perfect Bridget Jones. Among those considered were Cameron Diaz, Cate Blanchett, Emily Watson, Rachel Weisz (Maguire decided she was "too beautiful"), and Kate Winslet (who, at 24, was deemed too young). Toni Collette has said she turned the part down because she was busy acting on Broadway in "The Wild Party."
4. Zellweger finally won Maguire over, convincing her that her salty, Texas-bred sense of humor helped her empathize with the earthy Bridget. But when her casting was announced, many Brits were outraged over the idea of an American playing such a quintessentially English character. To learn Bridget's British accent, Zellweger enlisted Barbara Berkery, the dialect coach who had guided Gwyneth Paltrow's Oscar-winning performance in "Shakespeare in Love."

5. Zellweger's ultimate test came when she went undercover as Bridget Cavendish, taking on a Bridget Jones-like job as a publicist trainee at Picador, the London publishing firm where Fielding had worked while she wrote her novel. For two weeks, the actress learned the publishing business, practiced her accent, and successfully passed as a local; no one recognized her as the Hollywood leading lady of "Jerry Maguire."
6. The willowy actress also had to pull a "Raging Bull" and pack on weight to play the curvy Bridget. She famously gained 17 pounds on a diet of bagels, burgers, buttered biscuits, croissants, cheesecake, pizza, peanut butter, and protein shakes with ice cream.

7. For Mark Darcy, the filmmakers had no other choice but Colin Firth, who had played Mr. Darcy in the celebrated 1995 BBC version of "Pride and Prejudice," making women swoon throughout the English-speaking world. Among those who had developed a crush on Firth's TV Darcy was Fielding, who name-checked the actor in her book. She was so intent on casting him in the film that the producers also hired Andrew Davies, who had scripted the Austen mini-series, to co-write the "Bridget Jones" screenplay with Fielding and British romantic comedy master Richard Curtis ("Four Weddings and a Funeral"). Firth, drawn by Davies' presence and by the chance to spoof his own persona, accepted the role.8. At the time he was cast as cad Daniel Cleaver, Hugh Grant was known for stammering nice-guy roles in such Curtis comedies as "Four Weddings" and "Notting Hill." He was thrilled to play someone with more of an edge, or, as he put it, "a character that was nearer to the real me."

9. The film cost a reported $26 million to produce. It earned back $72 million in North America and a total of $282 million worldwide.

10. Zellweger was nominated for a Best Actress Oscar, a rarity for a comic performance. She lost to Halle Berry for "Monster's Ball." Two years later, Zellweger won the Best Supporting Actress Oscar for "Cold Mountain," a trophy many considered a make-up prize for her "Bridget Jones" snub.

'Scream': 15 Things You (Probably) Didn't Know About the Slasher Franchise

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It's been five years since the release of "Scream 4" (on April 15, 2011), but like the Ghostface killer, the franchise refuses to die.

Since the first film's release nearly 20 years ago (on December 20, 1996), there have been four movies that have grossed $604 million worldwide, as well as a spinoff series on MTV whose second season begins May 31. "Scream" not only became the most lucrative slasher-film series ever, but it also revitalized the teen horror genre.Still, as inescapable and relentless as the "Scream" franchise has been, there are still a lot of secrets behind that mask. Here are 15 terrifying tidbits of trivia.
1. "Scream" was originally a screenplay by Kevin Williamson called "Scary Movie," inspired in part by the real-life killings of five college students in Gainesville, Florida in 1990. But Dimension studio chief Bob Weinstein didn't think the title reflected Williamson's blend of horror and comedy.

2. Inspired by the recent Michael Jackson hit, Weinstein renamed the picture "Scream" but kept the "Scary Movie" title for the horror-spoof franchise launched in 2000.
DREW BARRYMOREFilm 'SCREAM' (1996)Directed By WES CRAVEN18 December 1996SSI32760Allstar Collection/DIMENSION**WARNING** This photograph can only be reproduced by publications in conjunction with the promotion of the above film. For Editorial Use Only3. Horror master Wes Craven turned down the movie several times, but the director changed his mind when he learned an actress of Drew Barrymore's stature was involved. Barrymore was initially cast as heroine Sidney Prescott, but she then shifted to the smaller role of first victim Casey Becker due to her busy schedule.

4. Courteney Cox wasn't considered for newswoman Gale Weathers because producers assumed audiences wouldn't buy the "Friends" star in a bitchy role. The filmmakers considered Brooke Shields and Janeane Garofalo, but Cox assured them she could play against type.
5. The menacing phone voice of Ghostface in all the movies belongs to Roger L. Jackson, who also voices the villainous chimp Mojo Jojo on "Powerpuff Girls." During production of the first three films, none of the other actors even met Jackson but only heard his voice when talking to him on the phone; Craven thought that would make their fear more convincing.

6. Because of "Scream's" extreme violence and gore, Craven had to recut and submit it to the ratings board eight times in hope of avoiding an NC-17 rating. Craven even lied that he had no alternate, less bloody take of Barrymore's stabbing. Eventually, Weinstein persuaded the board that "Scream" deserved an R because the movie was satirizing violence, not glorifying it.
7. With the success of "Scream," the sequel was rushed into production, shooting in July 1997 for a release date that December. The haste led to a leak of the script, forcing Williamson to rewrite on set and change the identity of the killers.

8. "I hate horror movies," said Liev Schreiber, after he had played the menacing Cotton Weary in the first two installments. So why did he act in the series? Because he liked the idea of horror movies that were "in on the joke." Also, he said, "because I knew I wouldn't have to watch them. I would only have to be in them." Soon after, he signed on for "Scream 3."
9. Cox and David Arquette (Deputy Dewey Riley) met on the set of "Scream." By the time they shot "Scream 2," they were a couple off-screen. Just before the "Scream 3" shoot, they got married. When "Scream 4" was shooting in 2010, they were on the verge of splitting up.

10. The Columbine High School massacre in April 1999 made Hollywood much more sensitive, at least for a little while, about violence in teen entertainment. As a result, "Scream 3" was rewritten, taking it out of its initial high school setting, playing up the humor, and downplaying the violence.
11. Williamson proposed a second trilogy in 2008, but only got as far as "Scream 4." (Blame that film's less-than-expected box office for why the fifth and sixth films never materialized.) Weinstein instead decided to launch the MTV series in June 2015. Craven's death in August 2015 probably puts the kibosh on any more "Scream" movies.

12. Campbell initially didn't want to return for "Scream 4," and Williamson had to write Sidney out of early drafts of the script.
13. The "Scream 4" filmmakers initially offered Ashley Greene the Jill Roberts role that ultimately went to future "Scream Queens" star Emma Roberts.

14. Lauren Graham was cast as Roberts' mom, but left the shoot after just a few days. Mary McDonnell replaced her.
15. The Ghostface mask was designed by retailer Fun World in 1991, inspired (aptly) by Edvard Munch's famous painting "The Scream." It was also inspired by a figure from Gerald Scarfe's artwork from Pink Floyd's "The Wall" album and some ghost figures in an old Betty Boop cartoon.

The "Scream" franchise has reportedly made the mask, along with the ragged-edged cloak used in the films, into the best-selling Halloween costume in America.

5 Reasons Why 'Jungle Book' Roared to the Top of the Box Office

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It wasn't a big surprise that Disney's new live-action "The Jungle Book" opened at No. 1 this weekend. What was a shocker, however, was just how big the latest version of Rudyard Kipling's tale turned out to be.

Going into the weekend, positive buzz for the film led to predictions that it would open to at least $70 million, $85 million on the high-end of expectations. On Sunday, however, Disney estimated that the film's opening weekend had grossed $103.6 million. That makes it the second-biggest April opening ever, beating the $95.0 million earned by "Captain America: The Winter Soldier" two years ago, and second only to last year's "Furious 7," at $147.2 million. It's also the biggest April opening ever for a PG-rated movie.

How did "Jungle Book" over-perform so much this weekend? Here are five ways.

1. Marketing
By now, Disney has mastered the art of turning its beloved animated classics into live-action reboots. But there's more than brand recognition at work here. Disney's marketers -- and director Jon Favreau -- made a point of playing up the state-of-the-art CG that allowed the filmmakers to simulate a jungle in a Los Angeles warehouse and populate it with photorealistic animals. The trailers audiences saw, and the advance stories they read, promised not just a kiddie adventure with talking animals, but also an immersive experience in a lush, exotic world on the level of "Avatar."

2. 3D and IMAX
As a result, this marked the rare film that viewers felt merited the surcharges they'd have to pay to see it in an enhanced format. It helped that 75 percent of North American theaters showing "Jungle Book" screened it in 3D. A healthy 43 percent of the movie's opening-weekend sales came from 3D tickets. It was also playing on 376 IMAX screens, good for $10.4 million, amounting to 10 percent of the total gross, and scoring another April record for a Disney feature.

And there were 463 Premium Large Format screens, for those willing to pay extra to see "Jungle Book" on a giant screen that's not quite as eye-filling as IMAX. You could also see the film in D-Box, where your theater seat lurches in response to the on-screen action. Surcharges for those tickets can be as much as $8, meaning Disney was ensured to mint money on this film wherever people saw it.

3. Timing
Remember when the summer movie season began on Memorial Day? No? Remember when it began on May 1? Well, now, thanks to hits like "Winter Soldier," "Furious 7," and now, "Jungle Book," summer seemingly begins just after spring break. Or it will within a couple of years. For now, however, April is still clear enough of blockbusters that a movie like "Jungle Book" can pretty much have the month to itself.

4. Weak Competition
This weekend's crop of new releases posed no real threat to "Jungle Book's" box office reign. Neither of this weekend's other two new wide releases opened on more than 2,700 screens, compared to 4,028 for "Jungle Book." "Barbershop: The Next Cut," a sequel in a comedy franchise whose last installment came out 12 years ago, debuted in second place with an estimated $20.2 million. That's below expectations and also shy of the $24.2 million opening weekend for 2004's "Barbershop 2: Back in Business." ("Cut" came in with less than the opening weekend of the original film.)

As for Kevin Costner's new thriller, "Criminal," no one expected it to do more than about $8 million, but it fell short with $5.9 million. It didn't even make the top five. Opening in sixth place, it is Costner's lowest premiere weekend since since 2005's "Rumor Has It."

5. Four-quadrant Audience Appeal
One potential weakness in "Jungle Book" -- had Disney stayed close to the 1967 cartoon -- is that it's an awfully male-oriented story, with no female characters of any significance, or even speaking parts. Favreau and his team changed that by making one male character (the python Kaa) female and boosting the role of another (Mowgli's wolf mother, Raksha.) Scarlett Johansson voices Kaa (above), and Oscar-winner Lupita Nyong'o voices Raksha. Making the movie more inclusive seems to have paid off at the box office, since Disney exit polling showed that 51 percent of the viewers were female.

Favreau and his team also made sure the movie appealed to more than just kids. Celebrity voices (including Bill Murray and Chistopher Walken), an air of real danger in Mowgli's confrontations with predators, and nostalgic shout-outs to the original cartoon (including such songs as "Bare Necessities" and "I Wan'na Be Like You") all helped to draw grown-up viewers. According to Disney, some 43 percent of ticketbuyers were adults seeing the movie on their own.

Of course, what ultimately sold the movie was its execution. Critics raved, giving "Jungle Book" a 95 percent fresh rating at Rotten Tomatoes. Audiences loved it just as much, judging by the A CinemaScore, indicating very positive word-of-mouth. So: a good movie will draw audiences of all ages and both sexes off their couches and into the theaters -- and even inspire them to pay extra for an enhanced viewing experience. Who knew?

5 Reasons 'The Huntsman: Winter's War' Bombed at the Box Office

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What were they thinking? That's the question you have to ask Universal and the makers of "The Huntsman: Winter's War."

As expected, the messy prequel-sequel to 2012's "Snow White and the Huntsman" failed to topple Disney's live-action "Jungle Book" from its box office throne. In fact, no one even expected an opening anywhere near the $56.2 million debut of the first "Huntsman." Nonetheless, it was at least tracking to open with a respectable $24 million or so. And yet it couldn't even muster a debut that big, settling instead for an estimated $20.1 million opening weekend, about what the first "Huntsman" earned in its first day.

What went wrong with Universal's $115 million wannabe hit? Here are five reasons it failed to measure up to its predecessor.

1. No Snow White
How do you tell a Snow White story without Snow White? Granted, the whole fairytale-backstory thing has worked elsewhere, as in "Maleficent" and on TV's "Once Upon a Time" (though there are plenty of other familiar characters to latch onto when the show's focus shifts from Ginnifer Goodwin's Snow White).

The "Winter's War" filmmakers were counting on the notion that the grim fantasy world created for the first film would be interesting enough on its own without the familiar heroine or the actress who played her. Guess not. And speaking of that actress...

2. No K-Stew
The original movie came out at the height of Kristen Stewart's box office power, between the releases of the final two installments of "Twilight." There's no one in the Stewart-free cast of the current movie who can muster that kind of loyalty at the box office. Which leads to our next point...

3. A Severe Lack of Box-office Draws
Everyone loves Charlize Theron, Jessica Chastain, and Emily Blunt, but not necessarily enough for any one of them to carry a movie to box office victory on their own.

And poor huntsman Chris Hemsworth? Also not much of a draw in a movie that doesn't have him wielding Thor's hammer. No non-franchise movie he's starred in has opened above $15 million.

4. Bad Timing
This movie suffered from three kinds of bad timing. First, it's been four years since the original film's release," long enough for some viewers to have forgotten it existed. Or ever liking it. And yet, it may not have been long enough for the franchise to shake the stench of scandal that tainted "Snow White" when news broke that Stewart was having an affair with the film's married director, Rupert Sanders.

But the worst accident of timing was opening opposite "Jungle Book," which, in its second weekend, lost only 41 percent of last weekend's business and earned an estimated $60.8 million. Audiences were all still too captivated by Mowgli and his CG animal pals to check out Hemsworth and friends. It's possible that Universal thought late April was a safer, less crowded time than summer for a PG-13 special-effects blockbuster (the 2012 "Huntsman" came out the first week of June), but as the schedule-creep of recent summer movie seasons has made clear, summer starts pretty much right after spring break nowadays.

5. Even Worse Execution
With the notable exception of costume designer Colleen Atwood's extravagant gowns, a lot of "Winter's War" seems slapdash and hastily cobbled together, according to critics. The film amassed a mere 17 percent fresh rating at Rotten Tomatoes (woof!). During production, the film not only lost Stewart and Sanders, but also A-list screenwriters David Koepp and Frank Darabont (the latter had also been slated to direct). The credited screenwriters of "Winter's War" are the guy who co-wrote 2014's "Hercules" and the guy who co-wrote "Scary Movie 4." Its first-time feature director is the special effects coordinator from the first "Huntsman." So while the movie has impressive visuals, even fans who bought tickets weren't overly impressed by the storytelling. They gave the movie a B+ CinemaScore, which indicates only so-so word-of-mouth.

None of this may matter, ultimately, since "Winter's War" has already earned another $80 million overseas, where audiences for Hollywood imports seem to value dazzling visuals over dialogue and character anyway. It's possible that the film will ultimately earn enough internationally to break even.
Marvel's Captain America: Civil WarSpider-Man/Peter Parker (Tom Holland)Photo Credit: Film Frame© Marvel 2016Stateside, however, it's likely to limp along for another week until it (and everything else) gets clobbered by another "War" movie: Marvel's "Captain America: Civil War." At least Thor's not expected to show up in that one to hammer home a fatal blow to Hemsworth's non-Marval career.


'The Craft': 10 Things You (Probably) Didn't Know About One of Your Favorite '90s Movies

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Twenty years ago this week, four teenage girls dabbled in magic powers and unleashed forces more powerful than they could have imagined. We're not just talking about the plot of "The Craft" (released on May 3, 1996), but also the wave it launched of pretty-young-magical-gal stories on the big and small screens (from "Practical Magic" to "Charmed").

For all its influence and popularity, there's still much you may not know about "The Craft." Here are some of the secrets behind the beloved teen-witch cautionary tale.
1. Star Robin Tunney (center), who plays Sarah, wore a wig throughout the film, having recently shaved her head for her role in "Empire Records."

2. How did director Andrew Fleming do so well in understanding the mindset of his teen-girl heroines -- not only in "The Craft," but also in "Dick" and "Nancy Drew"? According to Fleming, "Dick" co-star Michelle Williams figured out the answer. "Michelle said that, despite my manly exterior, I'm actually a 15-year-old girl, and I do feel very giddy and school girlish quite a lot of the time."
3. Fairuza Balk (Nancy) is the only one of the four leads who was an actual practicing Wiccan, at least for a little while. At the time of the shoot, she was the owner of Panpipes Magickal Marketplace, an occult shop in Hollywood.

4. Bonnie in "The Craft" was the first major film role for Neve Campbell. Skeet Ulrich (Chris) and Campbell worked together for the first time here, a few months before they reunited in "Scream."
Hexenclub, Der / Craft, TheUSA 1996Regie: Andrew FlemingDarsteller: Robin Tunney, Rachel True, Fairuza Balk, Neve CampbellRollen: Sarah, Rochelle, Nancy, Bonnie5. Rachel True was nearly 30 when she played the teenage Rochelle. Classic Hollywood.

6. The beach ritual scene seemed to summon up some real-life creepy vibes. During filming, a horde of bats appeared and lingered (creepy). The waves extinguished the candles. And at the climactic moment, when Balk's Nancy cried out for the spirit to fill her, the power went out.
7. The knife fight between Tunney and Balk won the MTV Movie Award for Best Fight, beating such experienced big-screen fighters as Jackie Chan (in "Police Story 4") and Jim Brown (in "Mars Attacks").

8. The film cost a reported $15 million to produce. It earned back $56 million at the worldwide box office.

9. "The Craft" has been credited as the main influence on the growth of real-life teen interest in Wicca over the past 20 years.
10. A year ago, Sony announced plans for a remake, to be written and directed by horror filmmaker Leigh Janiak ("Honeymoon"). Among the original stars, Balk balked, proclaiming on Twitter that she doesn't approve of remakes in general.

5 Reasons Why Nothing Can Stop 'Jungle Book' at the Box Office

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Many box office analysts predicted that "The Jungle Book" would not only three-peat atop the box office this weekend, but that it would earn more than three new wide releases combined.

In fact, it earned nearly twice the combined total of those new releases. In its third weekend, the Disney talking-animal tale earned an estimated $42.4 million in North America, while newcomers "Keanu" (at an estimated $9.4 million), "Mother's Day" ($8.3 million), and "Ratchet and Clank" ($4.8 million) combined for about $22.5 million.

So far, "Jungle Book" has been blessed, not only by its own strong reviews and word-of-mouth, but by weak competition. Still, good fortune and good timing aren't enough to explain why the Rudyard Kipling adaptation has held up so well or why none of its rivals can muster up much interest on their own. Here are five reasons why "Jungle Book" bested all comers this weekend.

1. It's the Event Movie of April
This column has already noted the strengths of "The Jungle Book," including its calculated appeal to all demographics, Disney's skillful marketing, and the movie's visual spectacle that demands to be seen in 3D or large-format screenings. But the movie has also become the event movie of choice for the past month, helping cement April as the new start of the summer blockbuster season.

Having earned a very strong A grade at CinemaScore, "Jungle Book" has generated more enthusiastic word-of-mouth than any other April movie. As a result, the movie has boasted unusually strong legs, declining just 40 percent its second weekend and just 31 percent this weekend. On its 4,041 screens, it's still averaging $10,502 per theater, far above any other movie currently in wide release.

2. Weak and Poorly-Executed Competition
That's what's plagued many of "Jungle Book's" competitors over the past three weeks, at least according to critics.

This weekend, "Mother's Day" and "Ratchet and Clank" earned particularly harsh reviews, managing only an 8 percent and a 19 percent fresh rating, respectively, at Rotten Tomatoes. Audiences liked them a little better (they graded the movies B+ and B, respectively, at CinemaScore), but that still indicates less than avid word-of-mouth.

3. Market Saturation
"Keanu," the R-rated comedy from sketch duo Key and Peele, did get positive-ish reviews (75 percent at Rotten Tomatoes) and just-okay word-of-mouth (a B CinemaScore), but it had to compete against the still-strong "Barbershop: The Next Cut," another well-reviewed, adult-oriented comedy with greater star power and a less restrictive PG-13 rating. (In its third weekend, "Barbershop" earned another estimated $6.1 million, good for fifth place.)

In fact, the adult audience had more than enough to choose from this weekend, from last week's newcomer flop "The Huntsman: Winter's War" to "Mother's Day." "Ratchet and Clank," a cartoon based on a videogame, did have kid appeal, but not more than "Jungle Book" or even nine-week-old "Zootopia." It finished below both those Disney movies, in seventh place.

4. Dim Star Power
Keegan-Michael Key and Jordan Peele may have a big cult following from "Key & Peele," but it didn't translate into box office drawing power. "Ratchet" has some big names, including kid star Bella Thorne and John Goodman (whose voice kids might recognize from Pixar's "Monsters, Inc.") but no one who's guaranteed to sell tickets, not even Sylvester Stallone.

And speaking of people who used to be box office draws, "Mother's Day" features Julia Roberts and Kate Hudson, neither of whom has set the box office on fire in recent years. It also features Jennifer Aniston and Jason Sudeikis, who've done well in recent years; they even had a smash together in "We're the Millers." But there's no reason fans of that raunchy, R-rated comedy would be interested in the mild, PG-13, family-themed "Mother's Day." Like director Garry Marshall's other recent holiday-timed movies, this is an ensemble comedy of interlocking stories with a common setting and theme, so its selling point is its premise more than its cast.

5. Captain America
In many ways, the box office is in a holding pattern until Disney and Marvel's "Captain America: Civil War" kicks off summer on May 6 -- just like they did last summer when "Avengers: Age of Ultron" opened during the first weekend of May.

Already, the superhero showdown has opened overseas, where it did a jaw-dropping $200.2 million in estimated sales in 37 countries. No doubt it'll be similarly huge when it drops in the U.S. It's no surprise that the studios have been saving their big guns for the summer. If they'd waited another week to issue any of this weekend's new wide releases, even putting "Mother's Day" out on the actual Mother's Day weekend, those films would have been clobbered for certain.

Better to take your chances against the three-week-old predators of "The Jungle Book."

​3 Ways 'Captain America: Civil War' Conquered the Box Office

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captain america civil war box officeHo-hum, another first weekend of the summer movie season, another blowout by a Marvel Cinematic Universe movie featuring an all-star cast of superheroes.

"Captain America: Civil War" premiered with an estimated $181.8 million, boasting the fifth-largest North American opening weekend ever, the third-largest May opening ever, and the third-largest MCU debut.

If such debuts are becoming routine, you can credit the filmmakers for their execution, Marvel Studios President Kevin Feige for the grand MCU blueprint, and the well-oiled Disney machine for its marketing and distribution efforts. Indeed, they all have these mega-launches down to a science, thanks to the lessons they've learned from past releases. Among those lessons, according to Disney Executive Vice President of Distribution Dave Hollis:

1. Quality Controlcaptain america civil war russo brothersOr, as Hollis put it on Sunday, "You've gotta make a really great movie." The MCU movies have been fairly consistent in quality, a status Hollis credits largely to Feige, though Feige's willingness to hire inventive filmmakers (such as Joss Whedon for the "Avengers" movies or the Russo brothers for the two most recent "Captain America" films) ought to be acknowledged as well. The important elements, Hollis said, are "a great story, fantastic characters, and extraordinary worlds, all of which must be satisfying to fans and critics." "Civil War" certainly seems to qualify, given the movie's A grade at CinemaScore (indicating very strong fan word-of-mouth) and its appeal among reviewers, as shown by a 91 percent fresh score at Rotten Tomatoes and a 75 percent score at Metacritic.

2. New Characterscaptain america civil war black pantherCertainly, Marvel fans come to these films to see familiar faces, but they're also excited about new ones. Said Hollis, "Yes, you have to have movies that feature familiar characters, but you also have to keep this universe fresh by introducing new characters." He was particularly pleased with the eagerly-anticipated introduction in "Civil War" of Black Panther (played by Chadwick Boseman), who'll now have a much bigger fan base by the time he gets his own stand-alone movie in 2018. (Hollis did not cite the introduction in "Civil War" of Tom Holland as Spider-Man, perhaps because the forthcoming Spidey franchise reboot starring Holland will be made at Sony, outside of Disney and the MCU.) He also plugged Benedict Cumberbatch's Doctor Strange, who gets his own movie this November and will presumably loom large in future MCU movies after that.

A corollary, which Hollis didn't mention, is that "Civil War" may offer one of the last opportunities to see Robert Downey Jr. play Iron Man. Though we can still expect to see Tony Stark suit up in the upcoming Avengers "Infinity War" saga, Downey has said he doesn't expect to headline another stand-alone "Iron Man" chapter. Indeed, he told USA Today, the new "Captain America" is, as far as the actor is concerned, also his own "Iron Man 4." To the extent that fans know Downey is nearly done playing Tony Stark, that could also have driven up sales for "Civil War."

3. New Genrescaptain america civil war sharon carterHollis said he was aware that critics -- and many fans -- may be getting tired of a multiplex blockbuster environment defined almost entirely by spandex-clad comic-book heroes and villains. "We're inoculated against superhero fatigue," he said, "by making movies that individually have a genre that's outside the superhero movie." For instance, he noted, the last "Captain America" installment ("The Winter Solder") was more of "an espionage film." "Guardians of the Galaxy" was more of "a space opera" than other Marvel movies have been. "And 'Ant-Man' was a heist film." He did not specify a genre for "Civil War," though after DC's "Batman v Superman: Dawn of Justice" and "Civil War," it seems like super-domestic-squabble drama is becoming a genre of its own.

One thing that did make the "Civil War" launch different from previous Marvel debuts is that the film hit the multiplex at a time when Disney already had an appeals-to-all-demographics smash still playing on more than 4,000 screens. In fact, "The Jungle Book," now in its fourth week, took second place on the weekend chart and earned another estimated $21.9 million -- roughly equal to the difference between the most optimistic analysts' projections for where "Civil War" might open (that is, around $200 million) and how much it actually earned. At the very least, with "Jungle Book" in 4,144 venues and "Captain America" in 4,226, competition must have been fierce for the relative handful of available 3D, IMAX, and premium large format screens, whose ticket surcharges can account for a sizable percentage of a movie's weekly take.

Hollis insisted that the two Disney all-ages hits didn't cannibalize each other. "It's hard to be anything but ecstatic" about a movie that opens with $181.8 million, he said, noting that MCU movies now occupy four of the top six slots among the biggest domestic opening weekends in Hollywood history. "There's always going to be competition in the marketplace. It's good for the overall ecosystem of the movie business. Both films will coexist for the next few weekends."

In other words, the more the merrier, and success breeds success. In fact, Hollis said, the box office numbers alone for "Civil War" should inspire both potential moviegoers and repeat viewers over the next few weeks as much as the movie's actual content and word-of-mouth. "The exciting thing is thinking about what is left to go," he said. "$181 million worth of U.S. box office evangelism is about to hit the streets."

'Twister': 10 Things You (Probably) Didn't Know About the Summer Blockbuster

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375181 02: 1996 BILL PAXTON AND HELEN HUNT AS JO HARDING IN THE ACTION THRILLER "TWISTER"Released 20 years ago this week (on May 10, 1996), "Twister" wasn't just a blockbuster special-effects spectacle that made viable movie stars out of Helen Hunt an Bill Paxton.

It was also the "Apocalypse Now" of weather-themed disaster movies. The film's production was marked by severe injuries to the stars and crew, a runaway budget, and the cinematographers openly rebelling against the director. Here are the real-life twists you didn't hear about from the tornado drama's tempestuous shoot.
1. The "Twister" screenplay is credited to "Jurassic Park" novelist Michael Crichton and his wife, Anne-Marie Martin, but it was revised by such celebrated script doctors as Joss Whedon (who dropped out of the project because he contracted bronchitis), Steven Zaillian (who dropped out because he was leaving for his honeymoon), and Jeff Nathanson, who was on the set and kept rewriting the script until the end of the shoot.

2. Helen Hunt was director Jan de Bont's only choice for the role of tormented storm chaser Jo. She was surprised to be asked to carry the expensive blockbuster, since she had to be back on the set of her hit sitcom, "Mad About You," before the end of August 1995. Fortunately, "Mad" producer/co-star Paul Reiser offered to push back the start of the show's production by two and a half weeks to accommodate "Twister" overruns.
3. Jami Gertz won the role of Paxton's hapless fiancée because Mira Sorvino (soon to win an Oscar for "Mighty Aphrodite") refused to go brunette.

4. Plagued by sunny weather, the production used bright lamps to reduce the exposure and make the skies look dark and stormy. But the lamps blinded Paxton and Hunt ("These things literally sunburned our eyeballs," Paxton recalled), and they had to wear dark glasses and take eye drops for several days until they recovered.

Paxton and Hunt also took lumps from being pelted with ice chunks in the hailstorm scene. The two leads had to take hepatitis shots after their scene wallowing in a filthy ditch. In that same sequence, Hunt kept banging her head on a low bridge because she would stand up too quickly, and she also was hit in the head by a truck's open passenger door in the cornfield sequence. De Bont told Entertainment Weekly, "I love Helen to death, but you know, she can be also a little bit clumsy." Hunt, who blamed her accidents on exhaustion from the difficult shoot, replied, "Clumsy? The guy burned my retinas, but I'm clumsy."5. Tensions flared between de Bont and cinematographer Don Burgess's camera crew. They complained that de Bont would get upset when they couldn't turn on a dime and set up new shots on a moment's notice; he countered that the unpredictable weather meant the shooting schedule had to be flexible. The crew considered getting T-shirts made emblazoned with de Bont's favorite curse-word phrase, "F---ing Hell S---." The breaking point came when a camera assistant walked into the frame and ruined a complicated shot involving noisy wind machines, leading de Bont to shove the man into a mud puddle. Burgess and 20 crew members walked. The film was only five weeks into production.

6. De Bont replaced Burgess with veteran cinematographer Jack N. Green. Unfortunately, Green was hospitalized with a back injury when a house rigged to collapse did so while Green was still inside it. With two days left to shoot, de Bont took over camera duties himself.
7. Much of the film was shot in Wakita, Oklahoma, where producers purchased and then leveled eight blocks of existing houses, as well as flattening 30 homes built for the shoot. According to the Twister Museum in Wakita (which contains props and memorabilia from the movie), the filmmakers' destruction of the town was so convincing that a third-party video crew flying overhead saw the fake devastation from the air and landed their helicopter to investigate.

8. With the lengthy and tumultuous shoot, the need for twice as many effects shots as anticipated (because of the uncommonly clear skies), and late re-shoots that added the prologue about Jo's childhood, the budget swelled from $70 million to a reported $92 million. But "Twister" grossed $242 million in North America, becoming the second biggest movie of 1996 (only "Independence Day" earned more). Worldwide, the tornado tale sucked up a total of $494 million.
9. "Twister" was nominated for two Oscars, for Best Visual Effects and Best Sound. It was also nominated for two Razzies, including Worst Supporting Actress (for Gertz, pictured). The Crichtons won the Razzie for Worst Written Film Grossing Over $100 Million.

10. "Twister" was the first mainstream Hollywood movie released on the then-new home video medium of DVD.

'Bridesmaids': 10 Things You (Probably) Didn't Know About the Hit Comedy

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You can pinpoint the moment almost precisely when "Bridesmaids" changed comedy.

Upon the movie's release five years ago this week (on May 13, 2011), it was that one notorious food-poisoning scene -- you know the one -- that proved that an all-female ensemble comedy could be just as raunchy and hilarious and heartfelt as any of producer Judd Apatow's bro-centric comedies. The result turned Melissa McCarthy into a breakout star, gave career boosts to costar/co-writer/co-producer Kristen Wiig and director Paul Feig, and launched a wave of hit R-rated comedies starring women.

Still, as many times as you've watched the misadventures of Wiig's moody maid of honor, there's plenty you may not know about how the story came together, who almost starred in it, and which scenes were left out.
1. "Bridesmaids" came about because of Wiig's cameo as a hostile TV producer in Apatow's "Knocked Up." The director urged her to write a screenplay as a vehicle for herself to star in and offered to produce it.

2. Wiig and writing partner Annie Mumolo (a fellow graduate of the Groundlings improv comedy troupe) spent four years writing "Bridesmaids" whenever Wiig had time off from "Saturday Night Live." She'd fly to Los Angeles, improvise scenes with Mumolo during marathon 12-hour sessions, then return to New York.

3. Mindy Kaling and Rose Byrne both tried out for the role of the bride, Lillian, before it ultimately went to fellow "SNL" vet Maya Rudolph. Byrne got the role she preferred, Helen, the bitchy rival to Wiig's Annie.
4. Future "Pitch Perfect" star Rebel Wilson auditioned for Megan, and while that role ultimately went to McCarthy, the filmmakers liked the Australian actress enough to cast her as Brynn, Annie's eccentric roommate. This was Wilson's first big Hollywood role. Busy Philipps, who'd co-starred on Feig and Apatow's TV show, "Freaks and Geeks," also auditioned to play Megan.

5. Byrne, the only one of the six stars who didn't have an improvisational comedy background, had a hard time not cracking up on the set. She also proved the odd woman out when Wiig and Mumolo took the cast to a male strip club as a research trip/bonding experience. Wiig noted that Byrne was uneasy when the others bought her a lap dance. Byrne squirmed as the oily dancer got grease all over her expensive blouse and found herself chattering about Los Angeles traffic. "Totally unsexy," she recalled during an on-set interview. "I'm like the nerdy, frigid weirdo. But that was fun."
6. Early drafts of the script featured a bachelorette party sequence in Las Vegas, but just three weeks before shooting, producer Apatow nixed the scene, complaining that there had been too many recent movies (notably, "The Hangover") depicting similar Vegas debauchery. Over a single weekend, Wiig and Mumolo wrote the sequence featuring Wiig's mid-air freakout that keeps the wedding party from reaching Vegas. (That's Mumolo playing Wiig's anxious seatmate.) "We took something out, and we were nervous, and we ended up with something better," Mumolo recalled.

7. Other scenes that were written but not filmed included a musical number and a scene where the characters fear they've discovered Lillian's corpse but abandon the body with a sigh of relief when they realize it's a stranger. One filmed sequence that was cut for length was Annie's blind date with a man who turns out to be a rageaholic, played by no less than Paul Rudd.

8. "Bridesmaids" cost a reported $32.5 million to produce. It grossed $169.1 million in North America and a total of $288.4 million worldwide, making it the biggest live-action hit to date in the careers of its six stars, director Feig, and producer Apatow.
9. At the 2012 Oscars, "Bridesmaids" received two nominations, for Best Original Screenplay and for Best Supporting Actress, for McCarthy.

10. Early on after the film's success, Wiig announced her refusal to make a "Bridesmaids" sequel, believing there was no way to reunite the characters for a premise that would be as original and funny. For a while, Universal threatened to make a sequel without Wiig, though the studio apparently finally gave up on the idea.

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